train.ulab

MSTParser是以最大生成树理论为基础的判别式依存句法分析器。它将一科依存树的得分看作是 所有依存关系的得分的总和

NNP	NNP	NNP	,	CD	NNS	JJ	,	DT	JJ	NN	NN	IN	DT	VBG	NN	,	VBD	VBN	NN	IN	PRP$	NN	NN	,	DT	JJ	NN	.
3	3	12	12	6	7	12	12	12	12	12	18	12	16	16	13	12	0	18	28	20	24	24	21	28	28	28	19	18

solo	woodwind	players	have	to	be	creative	if	they	want	to	work	a	lot	,	because	their	repertoire	and	audience	appeal	are	limited	.
JJ	NN	NNS	VBP	TO	VB	JJ	IN	PRP	VBP	TO	VB	DT	NN	,	IN	PRP$	NN	CC	NN	NN	VBP	JJ	.
3	3	4	0	6	4	6	4	10	8	12	10	14	12	4	4	21	21	21	21	22	16	22	4

the	oboist	heinz	holliger	has	taken	a	hard	line	about	the	problem	:	he	commissions	and	splendidly	interprets	fearsome	contemporary	scores	and	does	some	conducting	,	so	he	does	n't	have	to	play	the	same	mozart	and	strauss	concertos	over	and	over	again	.
DT	NN	NNP	NNP	VBZ	VBN	DT	JJ	NN	IN	DT	NN	:	PRP	VBZ	CC	RB	VBZ	JJ	JJ	NNS	CC	VBZ	DT	NN	,	IN	PRP	VBZ	RB	VB	TO	VB	DT	JJ	NNP	CC	NNP	NNS	RB	CC	RB	RB	.
4	4	4	5	15	5	9	9	6	6	12	10	15	15	0	15	18	15	21	21	15	15	15	25	23	15	15	29	27	29	29	33	31	39	39	39	39	39	33	33	40	40	33	15

richard	stoltzman	has	taken	a	gentler	,	more	audience-friendly	approach	.
NNP	NNP	VBZ	VBN	DT	JJR	,	RBR	JJ	NN	.
2	3	0	3	10	10	10	9	10	4	3

years	ago	,	he	collaborated	with	the	new	music	gurus	peter	serkin	and	fred	sherry	in	the	very	countercultural	chamber	group	tashi	,	which	won	audiences	over	to	dreaded	contemporary	scores	like	messiaen	's	``	quartet	for	the	end	of	time	.	''
NNS	RB	,	PRP	VBD	IN	DT	JJ	NN	NNS	NNP	NNP	CC	NNP	NNP	IN	DT	RB	JJ	NN	NN	NNP	,	WDT	VBD	NNS	RP	TO	JJ	JJ	NNS	IN	NNP	POS	``	NN	IN	DT	NN	IN	NN	.	''
2	5	5	5	0	5	10	10	10	15	12	15	15	15	6	5	21	19	21	21	22	16	22	22	24	25	25	27	31	31	28	31	34	36	36	32	36	39	37	39	40	5	5

today	,	the	pixie-like	clarinetist	has	mostly	dropped	the	missionary	work	(	though	a	touch	of	the	old	tashi	still	survives	)	and	now	goes	on	the	road	with	piano	,	bass	,	a	slide	show	,	and	a	repertoire	that	ranges	from	light	classical	to	light	jazz	to	light	pop	,	with	a	few	notable	exceptions	.
NN	,	DT	JJ	NN	VBZ	RB	VBN	DT	JJ	NN	-LRB-	IN	DT	NN	IN	DT	JJ	NNP	RB	VBZ	-RRB-	CC	RB	VBZ	IN	DT	NN	IN	NN	,	NN	,	DT	NN	NN	,	CC	DT	NN	WDT	VBZ	IN	JJ	JJ	TO	JJ	NN	TO	JJ	NN	,	IN	DT	JJ	JJ	NNS	.
6	6	5	5	6	0	6	6	11	11	8	13	8	15	21	15	19	19	16	21	13	13	6	6	6	25	28	26	25	40	40	40	40	36	36	40	40	40	40	29	40	41	42	45	43	43	48	46	43	51	49	42	42	57	57	57	53	6

just	the	thing	for	the	vivaldi-at-brunch	set	,	the	yuppie	audience	that	has	embraced	new	age	as	its	very	own	easy	listening	.
RB	DT	NN	IN	DT	JJ	NN	,	DT	NN	NN	WDT	VBZ	VBN	NNP	NNP	IN	PRP$	RB	JJ	JJ	NN	.
3	3	0	3	7	7	11	11	11	11	4	11	12	13	16	14	14	22	20	22	22	17	3

but	you	ca	n't	dismiss	mr.	stoltzman	's	music	or	his	motives	as	merely	commercial	and	lightweight	.
CC	PRP	MD	RB	VB	NNP	NNP	POS	NN	CC	PRP$	NNS	RB	RB	JJ	CC	JJ	.
3	3	0	3	3	8	8	9	12	12	12	5	5	17	17	17	13	3

he	believes	in	what	he	plays	,	and	he	plays	superbly	.
PRP	VBZ	IN	WP	PRP	VBZ	,	CC	PRP	VBZ	RB	.
2	10	2	3	6	4	10	10	10	0	10	10

his	recent	appearance	at	the	metropolitan	museum	,	dubbed	``	a	musical	odyssey	,	''	was	a	case	in	point	.
PRP$	JJ	NN	IN	DT	NNP	NNP	,	VBN	``	DT	JJ	NN	,	''	VBD	DT	NN	IN	NN	.
3	3	16	3	7	7	4	3	3	13	13	13	9	13	13	0	18	16	18	19	16

it	felt	more	like	a	party	,	or	a	highly	polished	jam	session	with	a	few	friends	,	than	a	classical	concert	.
PRP	VBD	RBR	IN	DT	NN	,	CC	DT	RB	JJ	NN	NN	IN	DT	JJ	NNS	,	IN	DT	JJ	NN	.
2	0	4	2	6	13	13	13	13	11	13	13	4	13	17	17	14	13	4	22	22	19	2

clad	in	his	trademark	black	velvet	suit	,	the	soft-spoken	clarinetist	announced	that	his	new	album	,	``	inner	voices	,	''	had	just	been	released	,	that	his	family	was	in	the	front	row	,	and	that	it	was	his	mother	's	birthday	,	so	he	was	going	to	play	her	favorite	tune	from	the	record	.
VBN	IN	PRP$	NN	JJ	NN	NN	,	DT	JJ	NN	VBD	IN	PRP$	JJ	NN	,	``	JJ	NNS	,	''	VBD	RB	VBN	VBN	,	IN	PRP$	NN	VBD	IN	DT	NN	NN	,	CC	IN	PRP	VBD	PRP$	NN	POS	NN	,	RB	PRP	VBD	VBG	TO	VB	PRP$	JJ	NN	IN	DT	NN	.
12	1	7	7	7	7	2	12	11	11	12	0	38	16	16	20	20	20	20	23	20	20	13	23	23	25	38	38	30	31	28	31	35	35	32	38	38	12	40	48	43	43	44	40	48	48	48	38	48	51	49	54	54	51	54	57	55	12

he	launched	into	saint-saens	's	``	the	swan	''	from	``	carnival	of	the	animals	,	''	a	favorite	encore	piece	for	cellists	,	with	lovely	,	glossy	tone	and	no	bite	.
PRP	VBD	IN	NNP	POS	``	DT	NN	''	IN	``	NN	IN	DT	NNS	,	''	DT	JJ	NN	NN	IN	NNS	,	IN	JJ	,	JJ	NN	CC	DT	NN	.
2	0	2	5	8	8	8	21	8	8	10	10	12	15	13	21	21	21	21	21	3	21	22	21	2	29	29	29	32	32	32	25	2

then	,	as	if	to	show	that	he	could	play	fast	as	well	,	he	offered	the	second	movement	from	saint-saens	's	sonata	for	clarinet	,	a	whimsical	,	puckish	tidbit	that	reflected	the	flip	side	of	the	stoltzman	personality	.
RB	,	IN	IN	TO	VB	IN	PRP	MD	VB	RB	IN	RB	,	PRP	VBD	DT	JJ	NN	IN	NNP	POS	NN	IN	NN	,	DT	JJ	,	JJ	NN	WDT	VBD	DT	JJ	NN	IN	DT	NNP	NN	.
16	16	4	16	6	4	6	9	7	9	10	13	10	16	16	0	19	19	31	19	22	23	20	23	24	31	31	31	31	31	16	31	32	36	36	33	36	40	40	37	16

and	so	it	went	through	the	first	half	:	an	ingeniously	chosen	potpourri	of	pieces	,	none	longer	than	five	minutes	,	none	that	would	disturb	or	challenge	a	listener	.
CC	RB	PRP	VBD	IN	DT	JJ	NN	:	DT	RB	VBN	NN	IN	NNS	,	NN	JJR	IN	CD	NNS	,	NN	WDT	MD	VB	CC	VB	DT	NN	.
4	4	4	0	4	8	8	5	4	13	12	13	4	13	23	23	23	17	18	21	19	23	14	23	24	25	26	26	30	26	4

mr.	stoltzman	introduced	his	colleagues	:	bill	douglas	,	pianist\/bassoonist\/composer	and	an	old	buddy	from	yale	,	and	jazz	bassist	eddie	gomez	.
NNP	NNP	VBD	PRP$	NNS	:	NNP	NNP	,	NN	CC	DT	JJ	NN	IN	NNP	,	CC	NN	NN	NNP	NNP	.
2	3	0	5	22	22	8	14	14	14	14	14	14	22	14	15	22	22	22	22	22	3	3

an	improvisational	section	was	built	around	pieces	by	mr.	douglas	,	beginning	with	``	golden	rain	,	''	a	lilting	,	laid-back	lead	in	to	the	uptempo	``	sky	,	''	which	gave	mr.	stoltzman	the	opportunity	to	wail	in	a	high	register	and	show	off	his	fleet	fingers	.
DT	JJ	NN	VBD	VBN	IN	NNS	IN	NNP	NNP	,	NN	IN	``	JJ	NN	,	''	DT	JJ	,	JJ	NN	IN	TO	DT	JJ	``	NN	,	''	WDT	VBD	NNP	NNP	DT	NN	TO	VB	IN	DT	JJ	NN	CC	VB	RP	PRP$	JJ	NNS	.
3	3	4	0	4	5	6	7	10	8	5	5	12	23	16	23	23	23	23	23	23	23	13	23	24	29	29	29	25	29	29	29	32	35	33	37	33	39	37	39	43	43	40	39	39	45	49	49	45	4

bach	's	``	air	''	followed	.
NNP	POS	``	NN	''	VBD	.
2	4	4	6	4	0	6

mr.	stoltzman	tied	the	composer	in	by	proclaiming	him	``	the	great	improviser	of	the	18th	century	,	''	and	then	built	on	the	image	by	joining	with	mr.	douglas	in	some	bach	two-part	inventions	,	cleverly	arranged	for	clarinet	and	bassoon	by	mr.	douglas	.
NNP	NNP	VBD	DT	NN	RP	IN	VBG	PRP	``	DT	JJ	NN	IN	DT	JJ	NN	,	''	CC	RB	VBD	IN	DT	NN	IN	VBG	IN	NNP	NNP	IN	DT	NNP	JJ	NNS	,	RB	VBN	IN	NN	CC	NN	IN	NNP	NNP	.
2	3	0	5	3	3	3	7	13	13	13	13	8	13	17	17	14	3	3	3	3	3	22	25	23	22	26	27	30	28	27	35	35	35	31	35	38	35	38	42	42	39	38	45	43	3

keeping	the	mood	light	,	the	two	then	chanted	and	chortled	their	way	through	some	murderous	polyrhythms	,	devised	by	mr.	douglas	as	an	alternative	to	hindemith	's	dry	theory-teaching	techniques	,	and	then	,	with	mr.	gomez	,	soared	and	improvised	on	the	composer	's	tight	``	bebop	etudes	.	''
VBG	DT	NN	JJ	,	DT	CD	RB	VBD	CC	VBD	PRP$	NN	IN	DT	JJ	NNS	,	VBN	IN	NNP	NNP	IN	DT	NN	TO	NNP	POS	JJ	VBG	NNS	,	CC	RB	,	IN	NNP	NNP	,	VBD	CC	VBD	IN	DT	NN	POS	JJ	``	NNP	NNP	.	''
9	3	4	1	9	7	9	9	0	9	9	13	9	9	17	17	14	17	17	19	22	20	19	25	23	25	28	31	31	31	26	9	9	9	9	40	38	36	40	9	40	40	42	46	46	50	50	50	50	43	9	9

the	end	of	the	first	half	,	however	,	brought	what	the	standing-room-only	crowd	seemed	to	be	waiting	for	:	the	pop	singer	judy	collins	,	who	appears	on	``	inner	voices	.	''
DT	NN	IN	DT	JJ	NN	,	RB	,	VBD	WP	DT	JJ	NN	VBD	TO	VB	VBG	IN	:	DT	NN	NN	NNP	NNP	,	WP	VBZ	IN	``	JJ	NNS	.	''
2	10	2	6	6	3	10	10	10	0	25	14	14	15	11	17	15	17	18	25	23	23	25	25	10	25	25	27	28	29	32	29	10	10

glamorous	and	pure-voiced	as	ever	,	ms.	collins	sang	joni	mitchell	's	``	for	free	''	--	about	an	encounter	with	a	street-corner	clarinetist	,	to	which	mr.	stoltzman	contributed	a	clarinet	obligatto	--	and	mr.	douglas	's	lush	setting	of	a	gaelic	blessing	,	``	deep	peace	.	''
JJ	CC	JJ	IN	RB	,	NNP	NNP	VBD	NNP	NNP	POS	``	IN	RB	''	:	IN	DT	NN	IN	DT	JJ	NN	,	TO	WDT	NNP	NNP	VBD	DT	NN	NN	:	CC	NNP	NNP	POS	JJ	NN	IN	DT	JJ	NN	,	``	JJ	NN	.	''
3	3	9	3	4	9	8	9	0	12	12	40	12	12	14	12	26	26	20	18	20	24	24	21	26	12	26	29	30	26	33	33	30	26	40	38	38	40	40	9	40	44	44	48	48	48	48	41	9	9

``	deep	peace	''	also	featured	a	slide	show	of	lovely	but	predictable	images	of	clouds	,	beaches	,	deserts	,	sunsets	,	etc	.
``	JJ	NN	''	RB	VBD	DT	NN	NN	IN	JJ	CC	JJ	NNS	IN	NNS	,	NNS	,	NNS	,	NNS	,	FW	.
6	3	6	6	6	0	9	9	6	9	13	13	14	10	14	22	22	22	22	22	22	15	22	22	6

it	was	all	too	mellow	to	be	believed	,	but	they	probably	would	have	gotten	away	with	it	,	had	they	not	felt	compelled	to	add	ms.	collins	's	signature	tune	,	``	amazing	grace	,	''	and	ask	for	audience	participation	.
PRP	VBD	RB	RB	JJ	TO	VB	VBN	,	CC	PRP	RB	MD	VB	VBN	RP	IN	PRP	,	VBD	PRP	RB	VBD	VBN	TO	VB	NNP	NNP	POS	NN	NN	,	``	JJ	NN	,	''	CC	VB	IN	NN	NN	.
2	13	5	5	2	7	5	7	13	13	13	13	0	13	14	15	15	17	15	15	20	20	20	23	26	24	29	29	31	31	35	35	35	35	26	35	35	26	26	39	42	40	13

that	went	over	the	permissible	line	for	warm	and	fuzzy	feelings	.
WDT	VBD	IN	DT	JJ	NN	IN	JJ	CC	JJ	NNS	.
2	0	2	6	6	3	6	10	10	11	7	2

was	this	why	some	of	the	audience	departed	before	or	during	the	second	half	?
VBD	DT	WRB	DT	IN	DT	NN	VBD	IN	CC	IN	DT	JJ	NN	.
0	1	1	8	4	7	5	3	8	9	9	14	14	9	1

or	was	it	because	ms.	collins	had	gone	?
CC	VBD	PRP	IN	NNP	NNP	VBD	VBN	.
2	0	2	2	6	7	4	7	2

either	way	it	was	a	pity	,	because	mr.	stolzman	offered	the	most	substantial	music	of	the	evening	just	after	intermission	:	steve	reich	's	``	new	york	counterpoint	,	''	one	of	a	series	of	reich	works	that	juxtapose	a	live	performer	with	recorded	tracks	of	his	or	her	own	playing	.
DT	NN	PRP	VBD	DT	NN	,	IN	NNP	NNP	VBD	DT	RBS	JJ	NN	IN	DT	NN	RB	IN	NN	:	NNP	NNP	POS	``	NNP	NNP	NN	,	''	CD	IN	DT	NN	IN	NNP	NNS	WDT	VBP	DT	JJ	NN	IN	JJ	NNS	IN	PRP$	CC	PRP$	JJ	NN	.
2	4	4	0	6	4	4	4	10	11	8	15	14	15	11	15	18	16	20	11	20	11	25	25	29	29	29	29	32	32	32	11	32	35	33	35	38	36	38	39	43	43	40	40	46	44	46	50	50	52	52	47	4

(	mr.	reich	's	new	``	different	trains	''	for	string	quartet	uses	the	technique	magisterially	.	)
-LRB-	NNP	NNP	POS	JJ	``	JJ	NNS	''	IN	NN	NN	VBZ	DT	NN	RB	.	-RRB-
13	4	4	8	8	8	8	13	8	8	12	10	0	15	13	13	13	13

mr.	stoltzman	must	have	worried	that	his	audience	might	not	be	able	to	take	it	:	he	warned	us	in	advance	that	``	new	york	counterpoint	''	lasts	11	1\/2	minutes	.
NNP	NNP	MD	VB	VBN	IN	PRP$	NN	MD	RB	VB	JJ	TO	VB	PRP	:	PRP	VBD	PRP	IN	NN	IN	``	NNP	NNP	NN	''	VBZ	CD	CD	NNS	.
2	3	18	3	4	5	8	9	6	9	9	11	14	12	14	18	18	0	18	18	20	18	28	26	26	28	28	22	30	31	28	18

he	also	unfortunately	illustrated	this	intricate	,	jazzy	tapestry	with	mr.	pearson	's	images	,	this	time	of	geometric	or	repeating	objects	,	in	a	kitschy	mirroring	of	the	musical	structure	that	was	thoroughly	distracting	from	mr.	reich	's	piece	and	mr.	stoltzman	's	elegant	execution	of	it	.
PRP	RB	RB	VBD	DT	JJ	,	JJ	NN	IN	NNP	NNP	POS	NNS	,	DT	NN	IN	JJ	CC	JJ	NNS	,	IN	DT	JJ	NN	IN	DT	JJ	NN	WDT	VBD	RB	VBG	IN	NNP	NNP	POS	NN	CC	NNP	NNP	POS	JJ	NN	IN	PRP	.
4	4	4	0	9	9	9	9	4	4	13	13	14	17	17	17	10	17	22	19	19	18	17	4	27	27	24	27	31	31	28	27	32	35	33	35	39	39	40	46	46	44	44	46	46	36	46	47	4

the	rest	of	the	concert	was	more	straight	jazz	and	mellow	sounds	written	by	charlie	parker	,	ornette	coleman	,	bill	douglas	and	eddie	gomez	,	with	pictures	for	the	douglas	pieces	.
DT	NN	IN	DT	NN	VBD	JJR	JJ	NN	CC	JJ	NNS	VBN	IN	NNP	NNP	,	NNP	NNP	,	NNP	NNP	CC	NNP	NNP	,	IN	NNS	IN	DT	NNP	NNS	.
2	6	2	5	3	0	9	9	12	12	12	6	12	13	16	25	25	19	25	25	22	25	25	25	14	12	12	27	28	32	32	29	6

it	was	enjoyable	to	hear	accomplished	jazz	without	having	to	sit	in	a	smoke-filled	club	,	but	like	the	first	half	,	much	of	it	was	easy	to	take	and	ultimately	forgettable	.
PRP	VBD	JJ	TO	VB	JJ	NN	IN	VBG	TO	VB	IN	DT	JJ	NN	,	CC	IN	DT	JJ	NN	,	JJ	IN	PRP	VBD	JJ	TO	VB	CC	RB	JJ	.
2	26	2	5	2	7	5	5	8	11	9	11	15	15	12	26	26	26	21	21	18	26	26	23	24	0	32	29	27	32	32	26	26

is	this	the	future	of	chamber	music	?
VBZ	DT	DT	NN	IN	NN	NN	.
0	1	4	1	4	7	5	1

managers	and	presenters	insist	that	chamber	music	concerts	are	a	hard	sell	,	but	can	audiences	really	enjoy	them	only	if	the	music	is	purged	of	threatening	elements	,	served	up	in	bite-sized	morsels	and	accompanied	by	visuals	?
NNS	CC	NNS	VBP	IN	NN	NN	NNS	VBP	DT	JJ	NN	,	CC	MD	NNS	RB	VB	PRP	RB	IN	DT	NN	VBZ	VBN	IN	JJ	NNS	,	VBN	RP	IN	JJ	NNS	CC	VBN	IN	NNS	.
3	3	4	0	4	8	8	9	5	12	12	9	4	4	4	15	15	15	18	21	18	23	24	21	24	25	28	26	25	25	30	30	34	32	25	25	36	37	15

what	's	next	?
WP	VBZ	JJ	.
2	0	2	2

slides	to	illustrate	shostakovich	quartets	?
NNS	TO	VB	NNP	NNS	.
0	3	1	5	3	1

it	was	not	an	unpleasant	evening	,	certainly	,	thanks	to	the	high	level	of	performance	,	the	compositional	talents	of	mr.	douglas	,	and	the	obvious	sincerity	with	which	mr.	stoltzman	chooses	his	selections	.
PRP	VBD	RB	DT	JJ	NN	,	RB	,	NNS	TO	DT	JJ	NN	IN	NN	,	DT	JJ	NNS	IN	NNP	NNP	,	CC	DT	JJ	NN	IN	WDT	NNP	NNP	VBZ	PRP$	NNS	.
2	0	2	6	6	2	2	2	2	2	10	14	14	28	14	15	28	20	20	28	20	23	21	28	28	28	28	11	28	29	32	33	29	35	33	2

but	it	was	neither	deep	nor	lasting	:	light	entertainment	that	was	no	substitute	for	an	evening	of	brahms	.
CC	PRP	VBD	RB	JJ	CC	JJ	:	JJ	NN	WDT	VBD	DT	NN	IN	DT	NN	IN	NNP	.
3	3	0	7	7	7	3	7	10	7	10	11	14	12	14	17	15	17	18	3

ms.	waleson	is	a	free-lance	writer	based	in	new	york	.
NNP	NNP	VBZ	DT	JJ	NN	VBN	IN	NNP	NNP	.
2	3	0	6	6	3	6	7	10	8	3

one	of	ronald	reagan	's	attributes	as	president	was	that	he	rarely	gave	his	blessing	to	the	claptrap	that	passes	for	``	consensus	''	in	various	international	institutions	.
CD	IN	NNP	NNP	POS	NNS	IN	NNP	VBD	IN	PRP	RB	VBD	PRP$	NN	TO	DT	NN	WDT	VBZ	IN	``	NN	''	IN	JJ	JJ	NNS	.
9	1	5	5	6	2	6	7	0	9	13	13	10	15	13	13	18	16	18	19	20	21	21	21	20	28	28	25	9

in	fact	,	he	liberated	the	u.s.	from	one	of	the	world	's	most	corrupt	organizations	--	unesco	.
IN	NN	,	PRP	VBD	DT	NNP	IN	CD	IN	DT	NN	VBZ	RBS	JJ	NNS	:	NNP	.
5	1	5	5	0	7	5	5	18	9	12	16	12	15	16	10	18	8	5

this	is	the	u.n.	group	that	managed	to	traduce	its	own	charter	of	promoting	education	,	science	and	culture	.
DT	VBZ	DT	NNP	NN	WDT	VBD	TO	VB	PRP$	JJ	NN	IN	VBG	NN	,	NN	CC	NN	.
2	0	5	5	2	5	6	9	7	12	12	9	12	13	19	19	19	19	14	2

ever	since	,	the	remaining	members	have	been	desperate	for	the	united	states	to	rejoin	this	dreadful	group	.
RB	IN	,	DT	VBG	NNS	VBP	VBN	JJ	IN	DT	NNP	NNPS	TO	VB	DT	JJ	NN	.
7	1	7	6	6	7	0	7	8	9	13	13	15	15	10	18	18	15	7

now	unesco	apologists	are	lobbying	president	bush	to	renege	on	president	reagan	's	decision	to	depart	.
RB	NNP	NNS	VBP	VBG	NNP	NNP	TO	VB	IN	NNP	NNP	POS	NN	TO	VB	.
4	3	4	0	4	7	5	9	5	9	13	13	14	10	16	14	4

but	we	can	think	of	many	reasons	to	stay	out	for	the	foreseeable	future	and	well	beyond	.
CC	PRP	MD	VB	IN	JJ	NNS	TO	VB	RB	IN	DT	JJ	NN	CC	RB	IN	.
3	3	0	3	4	7	5	9	7	9	9	14	14	11	14	14	16	3

the	u.s.	,	along	with	britain	and	singapore	,	left	the	agency	when	its	anti-western	ideology	,	financial	corruption	and	top	leadership	got	out	of	hand	.
DT	NNP	,	IN	IN	NNP	CC	NNP	,	VBD	DT	NN	WRB	PRP$	JJ	NN	,	JJ	NN	CC	JJ	NN	VBD	IN	IN	NN	.
2	10	10	10	4	8	8	5	10	0	12	10	10	22	16	22	22	19	22	22	22	23	13	25	23	25	10

the	personal	antics	of	agency	director	amadou-mahtar	m'bow	drew	much	attention	,	such	as	when	several	of	his	top	aides	were	uncovered	as	kgb	plants	and	ejected	from	france	and	when	a	mysterious	office	fire	was	set	just	before	congress	sent	accountants	to	trace	u.s.	funds	.
DT	JJ	NNS	IN	NN	NNP	NNP	NNP	VBD	JJ	NN	,	JJ	IN	WRB	JJ	IN	PRP$	JJ	NNS	VBD	VBN	IN	NNP	NNS	CC	VBN	IN	NNP	CC	WRB	DT	JJ	NN	NN	VBD	VBN	RB	IN	NNP	VBD	NNS	TO	VB	NNP	NNS	.
3	3	9	3	8	8	8	4	0	11	9	9	14	9	31	21	16	20	20	17	15	21	22	25	23	22	22	27	28	31	14	35	35	35	36	31	36	39	37	41	39	41	44	42	46	44	9

mr.	m'bow	was	an	extreme	case	,	but	even	his	replacement	,	the	more	personally	genial	spanish	biochemist	federico	mayor	,	has	had	little	success	at	achieving	reforms	.
NNP	NNP	VBD	DT	JJ	NN	,	CC	RB	PRP$	NN	,	DT	RBR	RB	JJ	JJ	NN	NNP	NNP	,	VBZ	VBN	JJ	NN	IN	VBG	NNS	.
2	3	22	6	6	3	22	22	11	11	20	20	18	15	18	15	18	20	20	22	20	0	22	25	23	23	26	27	22

several	ridiculous	projects	continue	,	including	the	``	new	international	economic	order	,	''	which	means	redistributionism	from	the	west	to	pay	for	everyone	else	's	statism	.
JJ	JJ	NNS	VBP	,	VBG	DT	``	JJ	JJ	JJ	NN	,	''	WDT	VBZ	NN	IN	DT	NNP	TO	VB	IN	NN	RB	POS	NN	.
3	3	4	0	4	4	12	12	12	12	12	6	12	12	12	15	16	17	20	18	22	17	22	26	26	27	23	4

the	orwellian	``	new	world	information	order	''	would	give	government	officials	rights	against	the	press	;	journalists	would	be	obliged	to	kowtow	to	their	government	,	which	would	have	licensing	and	censorship	powers	and	,	indeed	,	duties	to	block	printing	of	``	wrong	''	ideas	.
DT	NNP	``	JJ	NN	NN	NN	''	MD	VB	NN	NNS	NNS	IN	DT	NN	:	NNS	MD	VB	VBN	TO	VB	TO	PRP$	NN	,	WDT	MD	VB	NN	CC	NN	NNS	CC	,	RB	,	NNS	TO	VB	NN	IN	``	JJ	''	NNS	.