train.lab

MSTParser是以最大生成树理论为基础的判别式依存句法分析器。它将一科依存树的得分看作是 所有依存关系的得分的总和

16	16	4	16	6	4	6	9	7	9	10	13	10	16	16	0	19	19	31	19	22	23	20	23	24	31	31	31	31	31	16	31	32	36	36	33	36	40	40	37	16

and	so	it	went	through	the	first	half	:	an	ingeniously	chosen	potpourri	of	pieces	,	none	longer	than	five	minutes	,	none	that	would	disturb	or	challenge	a	listener	.
CC	RB	PRP	VBD	IN	DT	JJ	NN	:	DT	RB	VBN	NN	IN	NNS	,	NN	JJR	IN	CD	NNS	,	NN	WDT	MD	VB	CC	VB	DT	NN	.
DEP	ADVP	NP-SBJ	ROOT	PP	DEP	DEP	NP	DEP	DEP	DEP	ADJP	NP	PP	NP	DEP	NP	ADJP	PP	DEP	NP	DEP	NP	SBAR	S	VP	DEP	DEP	DEP	NP-OBJ	DEP
4	4	4	0	4	8	8	5	4	13	12	13	4	13	23	23	23	17	18	21	19	23	14	23	24	25	26	26	30	26	4

mr.	stoltzman	introduced	his	colleagues	:	bill	douglas	,	pianist\/bassoonist\/composer	and	an	old	buddy	from	yale	,	and	jazz	bassist	eddie	gomez	.
NNP	NNP	VBD	PRP$	NNS	:	NNP	NNP	,	NN	CC	DT	JJ	NN	IN	NNP	,	CC	NN	NN	NNP	NNP	.
DEP	NP-SBJ	ROOT	DEP	NP	DEP	DEP	NP	DEP	NP	DEP	DEP	DEP	NP	PP	NP	DEP	DEP	DEP	DEP	DEP	NP-OBJ	DEP
2	3	0	5	22	22	8	14	14	14	14	14	14	22	14	15	22	22	22	22	22	3	3

an	improvisational	section	was	built	around	pieces	by	mr.	douglas	,	beginning	with	``	golden	rain	,	''	a	lilting	,	laid-back	lead	in	to	the	uptempo	``	sky	,	''	which	gave	mr.	stoltzman	the	opportunity	to	wail	in	a	high	register	and	show	off	his	fleet	fingers	.
DT	JJ	NN	VBD	VBN	IN	NNS	IN	NNP	NNP	,	NN	IN	``	JJ	NN	,	''	DT	JJ	,	JJ	NN	IN	TO	DT	JJ	``	NN	,	''	WDT	VBD	NNP	NNP	DT	NN	TO	VB	IN	DT	JJ	NN	CC	VB	RP	PRP$	JJ	NNS	.
DEP	DEP	NP-SBJ	ROOT	VP	PP	NP	PP	DEP	NP	DEP	PP	PP	DEP	DEP	NP	DEP	DEP	DEP	DEP	DEP	DEP	NP	PP	PP	DEP	DEP	DEP	NP	DEP	DEP	SBAR	S	DEP	NP-OBJ	DEP	NP-OBJ	DEP	S	PP	DEP	DEP	NP	DEP	VP	PRT	DEP	DEP	NP-OBJ	DEP
3	3	4	0	4	5	6	7	10	8	5	5	12	23	16	23	23	23	23	23	23	23	13	23	24	29	29	29	25	29	29	29	32	35	33	37	33	39	37	39	43	43	40	39	39	45	49	49	45	4

bach	's	``	air	''	followed	.
NNP	POS	``	NN	''	VBD	.
DEP	NP	DEP	NP-SBJ	DEP	ROOT	DEP
2	4	4	6	4	0	6

mr.	stoltzman	tied	the	composer	in	by	proclaiming	him	``	the	great	improviser	of	the	18th	century	,	''	and	then	built	on	the	image	by	joining	with	mr.	douglas	in	some	bach	two-part	inventions	,	cleverly	arranged	for	clarinet	and	bassoon	by	mr.	douglas	.
NNP	NNP	VBD	DT	NN	RP	IN	VBG	PRP	``	DT	JJ	NN	IN	DT	JJ	NN	,	''	CC	RB	VBD	IN	DT	NN	IN	VBG	IN	NNP	NNP	IN	DT	NNP	JJ	NNS	,	RB	VBN	IN	NN	CC	NN	IN	NNP	NNP	.
DEP	NP-SBJ	ROOT	DEP	NP-OBJ	PRT	PP	S	NP-SBJ	DEP	DEP	DEP	S	PP	DEP	DEP	NP	DEP	DEP	DEP	DEP	VP	PP	DEP	NP	PP	S	PP	DEP	NP	PP	DEP	DEP	DEP	NP	DEP	ADVP	VP	PP	DEP	DEP	NP	PP	DEP	NP	DEP
2	3	0	5	3	3	3	7	13	13	13	13	8	13	17	17	14	3	3	3	3	3	22	25	23	22	26	27	30	28	27	35	35	35	31	35	38	35	38	42	42	39	38	45	43	3

keeping	the	mood	light	,	the	two	then	chanted	and	chortled	their	way	through	some	murderous	polyrhythms	,	devised	by	mr.	douglas	as	an	alternative	to	hindemith	's	dry	theory-teaching	techniques	,	and	then	,	with	mr.	gomez	,	soared	and	improvised	on	the	composer	's	tight	``	bebop	etudes	.	''
VBG	DT	NN	JJ	,	DT	CD	RB	VBD	CC	VBD	PRP$	NN	IN	DT	JJ	NNS	,	VBN	IN	NNP	NNP	IN	DT	NN	TO	NNP	POS	JJ	VBG	NNS	,	CC	RB	,	IN	NNP	NNP	,	VBD	CC	VBD	IN	DT	NN	POS	JJ	``	NNP	NNP	.	''
S	DEP	NP-SBJ	S	DEP	DEP	NP-SBJ	ADVP	ROOT	DEP	DEP	DEP	NP-OBJ	PP	DEP	DEP	NP	DEP	VP	PP	DEP	NP	PP	DEP	NP	PP	DEP	NP	DEP	DEP	NP	DEP	DEP	DEP	DEP	PP	DEP	NP	DEP	VP	DEP	VP	PP	DEP	DEP	NP	DEP	DEP	DEP	NP	DEP	DEP
9	3	4	1	9	7	9	9	0	9	9	13	9	9	17	17	14	17	17	19	22	20	19	25	23	25	28	31	31	31	26	9	9	9	9	40	38	36	40	9	40	40	42	46	46	50	50	50	50	43	9	9

the	end	of	the	first	half	,	however	,	brought	what	the	standing-room-only	crowd	seemed	to	be	waiting	for	:	the	pop	singer	judy	collins	,	who	appears	on	``	inner	voices	.	''
DT	NN	IN	DT	JJ	NN	,	RB	,	VBD	WP	DT	JJ	NN	VBD	TO	VB	VBG	IN	:	DT	NN	NN	NNP	NNP	,	WP	VBZ	IN	``	JJ	NNS	.	''
DEP	NP-SBJ	PP	DEP	DEP	NP	DEP	ADVP	DEP	ROOT	SBAR	DEP	DEP	NP-SBJ	S	DEP	S	VP	PP	DEP	DEP	DEP	NP	DEP	NP-OBJ	DEP	SBAR	S	PP	DEP	DEP	NP	DEP	DEP
2	10	2	6	6	3	10	10	10	0	25	14	14	15	11	17	15	17	18	25	23	23	25	25	10	25	25	27	28	29	32	29	10	10

glamorous	and	pure-voiced	as	ever	,	ms.	collins	sang	joni	mitchell	's	``	for	free	''	--	about	an	encounter	with	a	street-corner	clarinetist	,	to	which	mr.	stoltzman	contributed	a	clarinet	obligatto	--	and	mr.	douglas	's	lush	setting	of	a	gaelic	blessing	,	``	deep	peace	.	''
JJ	CC	JJ	IN	RB	,	NNP	NNP	VBD	NNP	NNP	POS	``	IN	RB	''	:	IN	DT	NN	IN	DT	JJ	NN	,	TO	WDT	NNP	NNP	VBD	DT	NN	NN	:	CC	NNP	NNP	POS	JJ	NN	IN	DT	JJ	NN	,	``	JJ	NN	.	''
DEP	DEP	S	PP	ADVP	DEP	DEP	NP-SBJ	ROOT	DEP	DEP	NP	DEP	PP	ADJP	DEP	DEP	PP	DEP	NP	PP	DEP	DEP	NP	DEP	PRN	WHNP	DEP	NP-SBJ	S	DEP	DEP	NP-OBJ	DEP	DEP	DEP	DEP	NP	DEP	NP-OBJ	PP	DEP	DEP	NP	DEP	DEP	DEP	NP	DEP	DEP
3	3	9	3	4	9	8	9	0	12	12	40	12	12	14	12	26	26	20	18	20	24	24	21	26	12	26	29	30	26	33	33	30	26	40	38	38	40	40	9	40	44	44	48	48	48	48	41	9	9

``	deep	peace	''	also	featured	a	slide	show	of	lovely	but	predictable	images	of	clouds	,	beaches	,	deserts	,	sunsets	,	etc	.
``	JJ	NN	''	RB	VBD	DT	NN	NN	IN	JJ	CC	JJ	NNS	IN	NNS	,	NNS	,	NNS	,	NNS	,	FW	.
DEP	DEP	NP	DEP	ADVP	ROOT	DEP	DEP	NP-OBJ	PP	DEP	DEP	ADJP	NP	PP	DEP	DEP	DEP	DEP	DEP	DEP	NP	DEP	DEP	DEP
6	3	6	6	6	0	9	9	6	9	13	13	14	10	14	22	22	22	22	22	22	15	22	22	6

it	was	all	too	mellow	to	be	believed	,	but	they	probably	would	have	gotten	away	with	it	,	had	they	not	felt	compelled	to	add	ms.	collins	's	signature	tune	,	``	amazing	grace	,	''	and	ask	for	audience	participation	.
PRP	VBD	RB	RB	JJ	TO	VB	VBN	,	CC	PRP	RB	MD	VB	VBN	RP	IN	PRP	,	VBD	PRP	RB	VBD	VBN	TO	VB	NNP	NNP	POS	NN	NN	,	``	JJ	NN	,	''	CC	VB	IN	NN	NN	.
NP-SBJ	S	DEP	DEP	ADJP	DEP	SBAR	VP	DEP	DEP	NP-SBJ	ADVP	ROOT	VP	VP	PRT	PP	NP	DEP	SBAR	NP-SBJ	DEP	VP	VP	DEP	S	DEP	DEP	NP	DEP	NP	DEP	DEP	DEP	NP-OBJ	DEP	DEP	DEP	VP	PP	DEP	NP	DEP
2	13	5	5	2	7	5	7	13	13	13	13	0	13	14	15	15	17	15	15	20	20	20	23	26	24	29	29	31	31	35	35	35	35	26	35	35	26	26	39	42	40	13

that	went	over	the	permissible	line	for	warm	and	fuzzy	feelings	.
WDT	VBD	IN	DT	JJ	NN	IN	JJ	CC	JJ	NNS	.
NP-SBJ	ROOT	PP	DEP	DEP	NP	PP	DEP	DEP	ADJP	NP	DEP
2	0	2	6	6	3	6	10	10	11	7	2

was	this	why	some	of	the	audience	departed	before	or	during	the	second	half	?
VBD	DT	WRB	DT	IN	DT	NN	VBD	IN	CC	IN	DT	JJ	NN	.
ROOT	NP-SBJ	SBAR	NP-SBJ	PP	DEP	NP	S	PP	DEP	DEP	DEP	DEP	NP	DEP
0	1	1	8	4	7	5	3	8	9	9	14	14	9	1

or	was	it	because	ms.	collins	had	gone	?
CC	VBD	PRP	IN	NNP	NNP	VBD	VBN	.
DEP	ROOT	NP-SBJ	SBAR	DEP	NP-SBJ	S	VP	DEP
2	0	2	2	6	7	4	7	2

either	way	it	was	a	pity	,	because	mr.	stolzman	offered	the	most	substantial	music	of	the	evening	just	after	intermission	:	steve	reich	's	``	new	york	counterpoint	,	''	one	of	a	series	of	reich	works	that	juxtapose	a	live	performer	with	recorded	tracks	of	his	or	her	own	playing	.
DT	NN	PRP	VBD	DT	NN	,	IN	NNP	NNP	VBD	DT	RBS	JJ	NN	IN	DT	NN	RB	IN	NN	:	NNP	NNP	POS	``	NNP	NNP	NN	,	''	CD	IN	DT	NN	IN	NNP	NNS	WDT	VBP	DT	JJ	NN	IN	JJ	NNS	IN	PRP$	CC	PRP$	JJ	NN	.
DEP	NP	NP-SBJ	ROOT	DEP	NP-PRD	DEP	SBAR	DEP	NP-SBJ	S	DEP	DEP	ADJP	NP-OBJ	PP	DEP	NP	ADVP	PP	NP	DEP	DEP	DEP	NP	DEP	DEP	DEP	NP	DEP	DEP	NP-OBJ	PP	DEP	NP	PP	DEP	NP	SBAR	S	DEP	DEP	NP-OBJ	PP	DEP	NP	PP	DEP	DEP	ADJP	DEP	NP	DEP
2	4	4	0	6	4	4	4	10	11	8	15	14	15	11	15	18	16	20	11	20	11	25	25	29	29	29	29	32	32	32	11	32	35	33	35	38	36	38	39	43	43	40	40	46	44	46	50	50	52	52	47	4

(	mr.	reich	's	new	``	different	trains	''	for	string	quartet	uses	the	technique	magisterially	.	)
-LRB-	NNP	NNP	POS	JJ	``	JJ	NNS	''	IN	NN	NN	VBZ	DT	NN	RB	.	-RRB-
DEP	DEP	DEP	NP	DEP	DEP	DEP	NP-SBJ	DEP	PP	DEP	NP	ROOT	DEP	NP-OBJ	ADVP	DEP	DEP
13	4	4	8	8	8	8	13	8	8	12	10	0	15	13	13	13	13

mr.	stoltzman	must	have	worried	that	his	audience	might	not	be	able	to	take	it	:	he	warned	us	in	advance	that	``	new	york	counterpoint	''	lasts	11	1\/2	minutes	.
NNP	NNP	MD	VB	VBN	IN	PRP$	NN	MD	RB	VB	JJ	TO	VB	PRP	:	PRP	VBD	PRP	IN	NN	IN	``	NNP	NNP	NN	''	VBZ	CD	CD	NNS	.
DEP	NP-SBJ	S	VP	VP	SBAR	DEP	NP-SBJ	S	DEP	VP	ADJP	DEP	S	NP-OBJ	DEP	NP-SBJ	ROOT	NP-OBJ	PP	NP	SBAR	DEP	DEP	DEP	NP	DEP	S	DEP	QP	NP	DEP
2	3	18	3	4	5	8	9	6	9	9	11	14	12	14	18	18	0	18	18	20	18	28	26	26	28	28	22	30	31	28	18

he	also	unfortunately	illustrated	this	intricate	,	jazzy	tapestry	with	mr.	pearson	's	images	,	this	time	of	geometric	or	repeating	objects	,	in	a	kitschy	mirroring	of	the	musical	structure	that	was	thoroughly	distracting	from	mr.	reich	's	piece	and	mr.	stoltzman	's	elegant	execution	of	it	.
PRP	RB	RB	VBD	DT	JJ	,	JJ	NN	IN	NNP	NNP	POS	NNS	,	DT	NN	IN	JJ	CC	JJ	NNS	,	IN	DT	JJ	NN	IN	DT	JJ	NN	WDT	VBD	RB	VBG	IN	NNP	NNP	POS	NN	CC	NNP	NNP	POS	JJ	NN	IN	PRP	.
NP-SBJ	ADVP	ADVP	ROOT	DEP	DEP	DEP	DEP	NP-OBJ	PP	DEP	DEP	NP	NP	DEP	DEP	NP	PP	UCP	DEP	DEP	NP	DEP	PP	DEP	DEP	NP	PP	DEP	DEP	NP	SBAR	S	ADVP	VP	PP	DEP	DEP	NP	NP	DEP	DEP	DEP	NP	DEP	NP	PP	NP	DEP
4	4	4	0	9	9	9	9	4	4	13	13	14	17	17	17	10	17	22	19	19	18	17	4	27	27	24	27	31	31	28	27	32	35	33	35	39	39	40	46	46	44	44	46	46	36	46	47	4

the	rest	of	the	concert	was	more	straight	jazz	and	mellow	sounds	written	by	charlie	parker	,	ornette	coleman	,	bill	douglas	and	eddie	gomez	,	with	pictures	for	the	douglas	pieces	.
DT	NN	IN	DT	NN	VBD	JJR	JJ	NN	CC	JJ	NNS	VBN	IN	NNP	NNP	,	NNP	NNP	,	NNP	NNP	CC	NNP	NNP	,	IN	NNS	IN	DT	NNP	NNS	.
DEP	NP-SBJ	PP	DEP	NP	ROOT	DEP	DEP	NP	DEP	DEP	NP-PRD	VP	PP	DEP	NP	DEP	DEP	NP	DEP	DEP	NP	DEP	DEP	NP	DEP	PP	NP	PP	DEP	DEP	NP	DEP
2	6	2	5	3	0	9	9	12	12	12	6	12	13	16	25	25	19	25	25	22	25	25	25	14	12	12	27	28	32	32	29	6

it	was	enjoyable	to	hear	accomplished	jazz	without	having	to	sit	in	a	smoke-filled	club	,	but	like	the	first	half	,	much	of	it	was	easy	to	take	and	ultimately	forgettable	.
PRP	VBD	JJ	TO	VB	JJ	NN	IN	VBG	TO	VB	IN	DT	JJ	NN	,	CC	IN	DT	JJ	NN	,	JJ	IN	PRP	VBD	JJ	TO	VB	CC	RB	JJ	.
NP-SBJ	S	ADJP	DEP	S	DEP	NP-OBJ	PP	S	DEP	S	PP	DEP	DEP	NP	DEP	DEP	PP	DEP	DEP	NP	DEP	NP-SBJ	PP	NP	ROOT	ADJP	DEP	SBAR	DEP	DEP	ADJP	DEP
2	26	2	5	2	7	5	5	8	11	9	11	15	15	12	26	26	26	21	21	18	26	26	23	24	0	32	29	27	32	32	26	26

is	this	the	future	of	chamber	music	?
VBZ	DT	DT	NN	IN	NN	NN	.
ROOT	NP-SBJ	DEP	NP-PRD	PP	DEP	NP	DEP
0	1	4	1	4	7	5	1

managers	and	presenters	insist	that	chamber	music	concerts	are	a	hard	sell	,	but	can	audiences	really	enjoy	them	only	if	the	music	is	purged	of	threatening	elements	,	served	up	in	bite-sized	morsels	and	accompanied	by	visuals	?
NNS	CC	NNS	VBP	IN	NN	NN	NNS	VBP	DT	JJ	NN	,	CC	MD	NNS	RB	VB	PRP	RB	IN	DT	NN	VBZ	VBN	IN	JJ	NNS	,	VBN	RP	IN	JJ	NNS	CC	VBN	IN	NNS	.
DEP	DEP	NP-SBJ	ROOT	SBAR	DEP	DEP	NP-SBJ	S	DEP	DEP	NP-PRD	DEP	DEP	SQ	NP-SBJ	ADVP	VP	NP-OBJ	DEP	SBAR	DEP	NP-SBJ	S	VP	PP	DEP	NP	DEP	VP	PRT	PP	DEP	NP	DEP	VP	PP	NP	DEP
3	3	4	0	4	8	8	9	5	12	12	9	4	4	4	15	15	15	18	21	18	23	24	21	24	25	28	26	25	25	30	30	34	32	25	25	36	37	15

what	's	next	?
WP	VBZ	JJ	.
WHNP	ROOT	ADJP	DEP
2	0	2	2

slides	to	illustrate	shostakovich	quartets	?
NNS	TO	VB	NNP	NNS	.
ROOT	DEP	SBAR	DEP	NP-OBJ	DEP
0	3	1	5	3	1

it	was	not	an	unpleasant	evening	,	certainly	,	thanks	to	the	high	level	of	performance	,	the	compositional	talents	of	mr.	douglas	,	and	the	obvious	sincerity	with	which	mr.	stoltzman	chooses	his	selections	.
PRP	VBD	RB	DT	JJ	NN	,	RB	,	NNS	TO	DT	JJ	NN	IN	NN	,	DT	JJ	NNS	IN	NNP	NNP	,	CC	DT	JJ	NN	IN	WDT	NNP	NNP	VBZ	PRP$	NNS	.
NP-SBJ	ROOT	DEP	DEP	DEP	NP-PRD	DEP	ADVP	DEP	NP	PP	DEP	DEP	NP	PP	NP	DEP	DEP	DEP	NP	PP	DEP	NP	DEP	DEP	DEP	DEP	NP	SBAR	WHNP	DEP	NP-SBJ	S	DEP	NP-OBJ	DEP
2	0	2	6	6	2	2	2	2	2	10	14	14	28	14	15	28	20	20	28	20	23	21	28	28	28	28	11	28	29	32	33	29	35	33	2

but	it	was	neither	deep	nor	lasting	:	light	entertainment	that	was	no	substitute	for	an	evening	of	brahms	.
CC	PRP	VBD	RB	JJ	CC	JJ	:	JJ	NN	WDT	VBD	DT	NN	IN	DT	NN	IN	NNP	.
DEP	NP-SBJ	ROOT	DEP	DEP	DEP	UCP	DEP	DEP	NP-PRD	SBAR	S	DEP	NP-PRD	PP	DEP	NP	PP	NP	DEP
3	3	0	7	7	7	3	7	10	7	10	11	14	12	14	17	15	17	18	3

ms.	waleson	is	a	free-lance	writer	based	in	new	york	.
NNP	NNP	VBZ	DT	JJ	NN	VBN	IN	NNP	NNP	.
DEP	NP-SBJ	ROOT	DEP	DEP	NP-OBJ	VP	PP	DEP	NP	DEP
2	3	0	6	6	3	6	7	10	8	3

one	of	ronald	reagan	's	attributes	as	president	was	that	he	rarely	gave	his	blessing	to	the	claptrap	that	passes	for	``	consensus	''	in	various	international	institutions	.
CD	IN	NNP	NNP	POS	NNS	IN	NNP	VBD	IN	PRP	RB	VBD	PRP$	NN	TO	DT	NN	WDT	VBZ	IN	``	NN	''	IN	JJ	JJ	NNS	.
NP-SBJ	PP	DEP	DEP	NP	NP	PP	NP	ROOT	SBAR	NP-SBJ	ADVP	S	DEP	NP-OBJ	PP	DEP	NP	SBAR	S	PP	DEP	NP	DEP	PP	DEP	DEP	NP	DEP
9	1	5	5	6	2	6	7	0	9	13	13	10	15	13	13	18	16	18	19	20	21	21	21	20	28	28	25	9

in	fact	,	he	liberated	the	u.s.	from	one	of	the	world	's	most	corrupt	organizations	--	unesco	.
IN	NN	,	PRP	VBD	DT	NNP	IN	CD	IN	DT	NN	VBZ	RBS	JJ	NNS	:	NNP	.
PP	NP	DEP	NP-SBJ	ROOT	DEP	NP-OBJ	PP	NP	PP	DEP	NP	DEP	DEP	ADJP	NP	DEP	NP	DEP
5	1	5	5	0	7	5	5	18	9	12	16	12	15	16	10	18	8	5

this	is	the	u.n.	group	that	managed	to	traduce	its	own	charter	of	promoting	education	,	science	and	culture	.
DT	VBZ	DT	NNP	NN	WDT	VBD	TO	VB	PRP$	JJ	NN	IN	VBG	NN	,	NN	CC	NN	.
NP-SBJ	ROOT	DEP	DEP	NP-PRD	SBAR	S	DEP	S	DEP	DEP	NP-OBJ	PP	S	DEP	DEP	DEP	DEP	NP-OBJ	DEP
2	0	5	5	2	5	6	9	7	12	12	9	12	13	19	19	19	19	14	2

ever	since	,	the	remaining	members	have	been	desperate	for	the	united	states	to	rejoin	this	dreadful	group	.
RB	IN	,	DT	VBG	NNS	VBP	VBN	JJ	IN	DT	NNP	NNPS	TO	VB	DT	JJ	NN	.
ADVP	DEP	DEP	DEP	DEP	NP-SBJ	ROOT	VP	ADJP	SBAR	DEP	DEP	NP-SBJ	DEP	S	DEP	DEP	NP-OBJ	DEP
7	1	7	6	6	7	0	7	8	9	13	13	15	15	10	18	18	15	7

now	unesco	apologists	are	lobbying	president	bush	to	renege	on	president	reagan	's	decision	to	depart	.
RB	NNP	NNS	VBP	VBG	NNP	NNP	TO	VB	IN	NNP	NNP	POS	NN	TO	VB	.
ADVP	DEP	NP-SBJ	ROOT	VP	DEP	NP-OBJ	DEP	S	PP	DEP	DEP	NP	NP	DEP	S	DEP
4	3	4	0	4	7	5	9	5	9	13	13	14	10	16	14	4

but	we	can	think	of	many	reasons	to	stay	out	for	the	foreseeable	future	and	well	beyond	.
CC	PRP	MD	VB	IN	JJ	NNS	TO	VB	RB	IN	DT	JJ	NN	CC	RB	IN	.