📄 test.txt
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EMILIE
Promise me no doorman or maitre 'd
will presume I am anyone other than
Mrs. Schindler... and I'll stay.
He promises her nothing.
EXT. TRAIN STATION - DAY
Emilie waves goodbye to him from a first-class compartment
window. Down on the platform, he waves goodbye to her. as
the train pulls away, he turns away, and the platform of the
next track is revealed -- soldiers and clerks supervising
the boarding of hundreds of people onto another train -- the
image turning BLACK AND WHITE.
CLERKS
Your luggage will follow you. Make
sure it's clearly labeled. Leave
your luggage on the platform.
EXT. D.E.F. LOADING DOCK - DAY
As workers load crates of enamelware onto trucks -- back to
COLOR -- Stern and Schindler and the dock foreman confer
over an invoice.
More to Stern --
FOREMAN
Every other time it's been all right.
This time when I weigh the truck, I
see he's heavy, he's loaded too much.
I point this out to him, I tell him
to wait, he tells me he's got a new
arrangement with Mr. Schindler --
(to Schindler)
-- that you know all about it and
it's okay with you.
SCHINDLER
It's "okay" with me?
On the surface, Schindler remains calm; underneath, he's
livid. Clearly it's not "okay" with him.
STERN
How heavy was he?
FOREMAN
Not that much, just too much for it
to be a mistake -- 200 kilos.
Stern and Schindler exchange a glance. Then --
SCHINDLER
(pause)
You're sure.
The foreman nods.
INT. GHETTO STOREFRONT - DAY
Pfefferberg and Schindler bang in through the front door,
startling a woman at a desk.
WOMAN AT DESK
Can I help you?
They move past her without a word and into the back of the
place, into a storeroom. They stride past long racks full of
enamelware and other goods.
A man glances up, sees them coming. He's one of Schindler's
investors, the one who questioned the German's word. The
man's teenage sons rush to their father's defense, but
Pfefferberg grabs him and locks an arm tightly around his
neck.
Silence. Then, calmly --
SCHINDLER
If you or anyone acting as an agent
for you comes to my factory again,
I'll have you arrested.
INVESTOR
It was a mistake.
SCHINDLER
It was a mistake? What was a mistake?
How do you know what I'm talking
about?
INVESTOR
All right, it wasn't a mistake, but
it was one time.
SCHINDLER
We had a deal, you broke it. One
phone call and your whole family is
dead.
He turns and walks away. Pfefferberg lets the guy go and
follows. The investor's sons help their father up off the
floor. Gasping, he yells.
INVESTOR
I gave you money.
-- but Schindler and Pfefferberg are already gone, coming
through the front office and out the front door --
EXT. STOREFRONT - CONTINUOUS - DAY
-- to the street. Pfefferberg looks a little shaken from the
experience. Schindler straightens his friend's clothes.
SCHINDLER
How you feeling, all right?
PFEFFERBERG
Yeah.
SCHINDLER
What's the matter, everything all
right at home?
(Pfefferberg nods)
Mila's okay?
PFEFFERBERG
She's good.
Well, then, Schindler can't imagine what could be wrong. He
pats Pfefferberg on the shoulder and leads him away.
SCHINDLER
Good.
INT. FACTORY FLOOR - DAY
The long tables accommodate most of workers. The rest eat
their lunch on the floor. Soup and bread.
INT. SCHINDLER'S OFFICE - SAME TIME - DAY
An elegant place setting for one. Meat, vegetables, glass of
wine, all untouched. Schindler leafing through pages of a
report Stern has prepared for him.
SCHINDLER
I could try to read this or I could
eat my lunch while it's till hot.
We're doing well?
STERN
Yes.
SCHINDLER
Better this month than last?
STERN
Yes.
SCHINDLER
Any reason to think next month will
be worse?
STERN
The war could end.
No chance of that. Satisfied, Schindler returns the report
to his accountant and starts to eat. Stern knows he is
excused, but looks like he wants to say something more; he
just doesn't know how to say it.
SCHINDLER
(impatient)
What?
STERN
(pause)
There's a machinist outside who'd
like to thank you personally for
giving him a job.
Schindler gives his accountant a long-suffering look.
STERN
He asks every day. It'll just take a
minute. He's very grateful.
Schindler's silence says, Is this really necessary? Stern
pretends it's a tacit okay, goes to the door and pokes his
head out.
STERN
Mr. Lowenstein?
An old man with one arm appears in the doorway and Schindler
glances to the ceiling, to heaven. As the man slowly makes
his way into the room, Schindler sees the bruises on his
face. And when he speaks, only half his mouth moves; the
other half is paralyzed.
LOWENSTEIN
I want to thank you, sir, for giving
me the opportunity to work.
SCHINDLER
You're welcome, I'm sure you're doing
a great job.
Schindler shakes the man's hand perfunctorily and tells Stern
with a look, okay, that's enough, get him out of here.
LOWENSTEIN
The SS beat me up. They would have
killed me, but I'm essential to the
war effort, thanks to you.
SCHINDLER
That's great.
LOWENSTEIN
I work hard for you. I'll continue
to work hard for you.
SCHINDLER
That's great, thanks.
LOWENSTEIN
God bless you, sir.
SCHINDLER
Yeah, okay.
LOWENSTEIN
You're a good man.
Schindler is dying, and telling Stern with his eyes, Get
this guy out of here. Stern takes the man's arm.
STERN
Okay, Mr. Lowenstein.
LOWENSTEIN
He saved my life.
STERN
Yes, he did.
LOWENSTEIN
God bless him.
STERN
Yes.
They disappear out the door. Schindler sits down to his meal.
And tries to eat it.
EXT. FACTORY - DAY
Stern and Schindler emerge from the rear of the factory. The
Mercedes is waiting, the back door held open by a driver.
Climbing in --
SCHINDLER
Don't ever do that to me again.
STERN
Do what?
Stern knows what he means. And Schindler knows he knows.
SCHINDLER
Close the door.
The driver closes the door.
EXT. GHETTO GATE - DAY
Snow on the ground and more coming down. A hundred of
Schindler's workers marching past the ghetto gate, as is the
custom, under armed guard. Turning onto Zablocie Street,
they're halted by an SS unit standing around some trucks.
EXT. ZABLOCIE STREET - DAY
Shovels scraping at snow. The marchers working to clear it
from the street. A dialog between one of the guards and an
SS officer is interrupted by a shot -- and the face of the
one-armed machinist falls into the frame.
INT. OFFICE, SS HEADQUARTERS - DAY
Herman Toffel, an SS contact of Schindler's who he actually
likes, sits behind his desk.
TOFFEL
It's got nothing to do with reality,
Oskar, I know it and you know it,
it's a matter of national priority
to these guys. It's got a ritual
significance to them, Jews shoveling
snow.
SCHINDLER
I lost a day of production. I lost a
worker. I expect to be compensated.
TOF
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