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Date: Tue, 05 Nov 1996 00:15:13 GMTServer: NCSA/1.5Content-type: text/htmlLast-modified: Thu, 01 Aug 1996 07:27:42 GMTContent-length: 3333<HTML><HEAD><TITLE>Indian Classical Music</TITLE><LINK REV="made" HREF="mailto:krishna@cs.wisc.edu"></HEAD><BODY><H1>Why I am interested in Indian Classical Music</H1>I am primarily interested in the mathematical and theoretical aspectsof Indian Classical music. In particular, I am <EM>not</EM> interestedin the aesthetic, lyrical, religious, spiritual or social aspects ofmusic, dance or drama---however exciting or relevant they may be.<P>My knowledge of Indian music comes from reading books and listening tothe performances of the master (and the not-so-masterful) practitionersof the art. I occasionally post my brand of <EM>wisdom</EM> to theUsenet newsgroup<!WA0><!WA0><!WA0><!WA0><!WA0><!WA0><!WA0><!WA0><A HREF="news:rec.music.indian.classical">rec.music.indian.classical</A>.Links to some of my (posted and unposted) articles (in an updated andreformatted form) can be found below. You should note that I (have atleast tried to) rigorously use my own<!WA1><!WA1><!WA1><!WA1><!WA1><!WA1><!WA1><!WA1><A HREF="http://www.cs.wisc.edu/~krisna/rn/rn.html">transliteration scheme</A> for all Indian names andterms. It is unlikely that any material here will be useful to youunless you are familiar with the transliteration.<P>I welcome comments, criticisms and suggestions, especially regardingthe contents of the articles. Send all communication to<!WA2><!WA2><!WA2><!WA2><!WA2><!WA2><!WA2><!WA2><A HREF="mailto:krishna@cs.wisc.edu">krishna@cs.wisc.edu</A>.<P><HR><H2>List of essays</H2><UL><LI> Theory. <UL> <LI> <!WA3><!WA3><!WA3><!WA3><!WA3><!WA3><!WA3><!WA3><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1992.03.03.html">The katapayAdhe sangKya</A> <LI> <!WA4><!WA4><!WA4><!WA4><!WA4><!WA4><!WA4><!WA4><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1992.03.07.html">"Mixed" rAgas</A> <LI> <!WA5><!WA5><!WA5><!WA5><!WA5><!WA5><!WA5><!WA5><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1992.07.25.html">janaka-janya relationships</A> <LI> <!WA6><!WA6><!WA6><!WA6><!WA6><!WA6><!WA6><!WA6><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1993.05.04.html">graha-BAEdha</A> <LI> <!WA7><!WA7><!WA7><!WA7><!WA7><!WA7><!WA7><!WA7><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1993.05.06.html">Deriving the mAELa rAgas (part I)</A> <LI> <!WA8><!WA8><!WA8><!WA8><!WA8><!WA8><!WA8><!WA8><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1996.08.01.html">Deriving the mAELa rAgas (part II)</A> <LI> <!WA9><!WA9><!WA9><!WA9><!WA9><!WA9><!WA9><!WA9><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1993.05.10.html">graha-BAEdha on asymmetric rAgas</A> <LI> <!WA10><!WA10><!WA10><!WA10><!WA10><!WA10><!WA10><!WA10><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1993.05.28.html">`rgpd' penta-tonic scales</A> <LI> <!WA11><!WA11><!WA11><!WA11><!WA11><!WA11><!WA11><!WA11><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1993.05.30.html">Penta-tonic scales</A> <LI> <!WA12><!WA12><!WA12><!WA12><!WA12><!WA12><!WA12><!WA12><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1995.11.16.html">Corpus Effects in Music</A> </UL><BR><LI> Information. <UL> <LI> <!WA13><!WA13><!WA13><!WA13><!WA13><!WA13><!WA13><!WA13><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1992.03.04.html">rAga equivalents</A> <LI> <!WA14><!WA14><!WA14><!WA14><!WA14><!WA14><!WA14><!WA14><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1993.03.06.html">jana-sammOdhenE</A> <LI> <!WA15><!WA15><!WA15><!WA15><!WA15><!WA15><!WA15><!WA15><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1994.10.11.html">Can we have rAgas with 3 or 4 notes?</A> <LI> <!WA16><!WA16><!WA16><!WA16><!WA16><!WA16><!WA16><!WA16><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1993.05.09.html">gAUrE-vAELAvaLE</A> </UL><BR><LI> Polemics and Philosophy. <UL> <LI> <!WA17><!WA17><!WA17><!WA17><!WA17><!WA17><!WA17><!WA17><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1992.06.19.html">Fidelity to compositions</A> <LI> <!WA18><!WA18><!WA18><!WA18><!WA18><!WA18><!WA18><!WA18><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1993.02.19.html">Popularizing vevAdhe rAgas</A> <LI> <!WA19><!WA19><!WA19><!WA19><!WA19><!WA19><!WA19><!WA19><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1993.03.16.html">Who "owns" a rAga</A> <LI> <!WA20><!WA20><!WA20><!WA20><!WA20><!WA20><!WA20><!WA20><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1994.12.31.html">Who is the greatest?</A> <LI> <!WA21><!WA21><!WA21><!WA21><!WA21><!WA21><!WA21><!WA21><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1995.05.22.html">Two varNams in a concert?</A> <LI> <!WA22><!WA22><!WA22><!WA22><!WA22><!WA22><!WA22><!WA22><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1995.07.07.html">How stupid a music critic can get</A> <LI> <!WA23><!WA23><!WA23><!WA23><!WA23><!WA23><!WA23><!WA23><A HREF="http://www.cs.wisc.edu/~krisna/rmic/rmic.1996.07.31.html">Etymology of rAga names</A> </UL><BR></UL><P><H2>Other interesting items</H2><UL><LI> <!WA24><!WA24><!WA24><!WA24><!WA24><!WA24><!WA24><!WA24><A HREF="http://www.cs.wisc.edu/~krisna/ravaLe/ravaLe.html">rAgAngga ravaLe</A></UL><P><HR><BR>[ <!WA25><!WA25><!WA25><!WA25><!WA25><!WA25><!WA25><!WA25><A HREF="http://www.cs.wisc.edu/~krisna/search.html">Search</A>| <!WA26><!WA26><!WA26><!WA26><!WA26><!WA26><!WA26><!WA26><A HREF="http://www.cs.wisc.edu/~krisna/krisna.html">Krishna Kunchithapadam</A>]<P><HR><BR>Last modified Thu Aug 1 02:27:30 CDT 1996 by<!WA27><!WA27><!WA27><!WA27><!WA27><!WA27><!WA27><!WA27><A HREF="http://www.cs.wisc.edu/~krisna/author.html">KK</A>.<P></BODY></HTML>⌨️ 快捷键说明
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