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\let\indsf=\indrm
\let\indbf=\indrm
\setfont\indsc\scshape{10}{900}
\font\indi=cmmi9
\font\indsy=cmsy9
% Fonts for title page:
\setfont\titlerm\rmbshape{12}{\magstep3}
\setfont\titleit\itbshape{10}{\magstep4}
\setfont\titlesl\slbshape{10}{\magstep4}
\setfont\titlett\ttbshape{12}{\magstep3}
\setfont\titlettsl\ttslshape{10}{\magstep4}
\setfont\titlesf\sfbshape{17}{\magstep1}
\let\titlebf=\titlerm
\setfont\titlesc\scbshape{10}{\magstep4}
\font\titlei=cmmi12 scaled \magstep3
\font\titlesy=cmsy10 scaled \magstep4
\def\authorrm{\secrm}
% Chapter (and unnumbered) fonts (17.28pt).
\setfont\chaprm\rmbshape{12}{\magstep2}
\setfont\chapit\itbshape{10}{\magstep3}
\setfont\chapsl\slbshape{10}{\magstep3}
\setfont\chaptt\ttbshape{12}{\magstep2}
\setfont\chapttsl\ttslshape{10}{\magstep3}
\setfont\chapsf\sfbshape{17}{1000}
\let\chapbf=\chaprm
\setfont\chapsc\scbshape{10}{\magstep3}
\font\chapi=cmmi12 scaled \magstep2
\font\chapsy=cmsy10 scaled \magstep3
% Section fonts (14.4pt).
\setfont\secrm\rmbshape{12}{\magstep1}
\setfont\secit\itbshape{10}{\magstep2}
\setfont\secsl\slbshape{10}{\magstep2}
\setfont\sectt\ttbshape{12}{\magstep1}
\setfont\secttsl\ttslshape{10}{\magstep2}
\setfont\secsf\sfbshape{12}{\magstep1}
\let\secbf\secrm
\setfont\secsc\scbshape{10}{\magstep2}
\font\seci=cmmi12 scaled \magstep1
\font\secsy=cmsy10 scaled \magstep2
% \setfont\ssecrm\bxshape{10}{\magstep1} % This size an font looked bad.
% \setfont\ssecit\itshape{10}{\magstep1} % The letters were too crowded.
% \setfont\ssecsl\slshape{10}{\magstep1}
% \setfont\ssectt\ttshape{10}{\magstep1}
% \setfont\ssecsf\sfshape{10}{\magstep1}
%\setfont\ssecrm\bfshape{10}{1315} % Note the use of cmb rather than cmbx.
%\setfont\ssecit\itshape{10}{1315} % Also, the size is a little larger than
%\setfont\ssecsl\slshape{10}{1315} % being scaled magstep1.
%\setfont\ssectt\ttshape{10}{1315}
%\setfont\ssecsf\sfshape{10}{1315}
%\let\ssecbf=\ssecrm
% Subsection fonts (13.15pt).
\setfont\ssecrm\rmbshape{12}{\magstephalf}
\setfont\ssecit\itbshape{10}{1315}
\setfont\ssecsl\slbshape{10}{1315}
\setfont\ssectt\ttbshape{12}{\magstephalf}
\setfont\ssecttsl\ttslshape{10}{1315}
\setfont\ssecsf\sfbshape{12}{\magstephalf}
\let\ssecbf\ssecrm
\setfont\ssecsc\scbshape{10}{\magstep1}
\font\sseci=cmmi12 scaled \magstephalf
\font\ssecsy=cmsy10 scaled 1315
% The smallcaps and symbol fonts should actually be scaled \magstep1.5,
% but that is not a standard magnification.
% In order for the font changes to affect most math symbols and letters,
% we have to define the \textfont of the standard families. Since
% texinfo doesn't allow for producing subscripts and superscripts, we
% don't bother to reset \scriptfont and \scriptscriptfont (which would
% also require loading a lot more fonts).
%
\def\resetmathfonts{%
\textfont0 = \tenrm \textfont1 = \teni \textfont2 = \tensy
\textfont\itfam = \tenit \textfont\slfam = \tensl \textfont\bffam = \tenbf
\textfont\ttfam = \tentt \textfont\sffam = \tensf
}
% The font-changing commands redefine the meanings of \tenSTYLE, instead
% of just \STYLE. We do this so that font changes will continue to work
% in math mode, where it is the current \fam that is relevant in most
% cases, not the current font. Plain TeX does \def\bf{\fam=\bffam
% \tenbf}, for example. By redefining \tenbf, we obviate the need to
% redefine \bf itself.
\def\textfonts{%
\let\tenrm=\textrm \let\tenit=\textit \let\tensl=\textsl
\let\tenbf=\textbf \let\tentt=\texttt \let\smallcaps=\textsc
\let\tensf=\textsf \let\teni=\texti \let\tensy=\textsy \let\tenttsl=\textttsl
\resetmathfonts}
\def\titlefonts{%
\let\tenrm=\titlerm \let\tenit=\titleit \let\tensl=\titlesl
\let\tenbf=\titlebf \let\tentt=\titlett \let\smallcaps=\titlesc
\let\tensf=\titlesf \let\teni=\titlei \let\tensy=\titlesy
\let\tenttsl=\titlettsl
\resetmathfonts \setleading{25pt}}
\def\titlefont#1{{\titlefonts #1}}
\def\chapfonts{%
\let\tenrm=\chaprm \let\tenit=\chapit \let\tensl=\chapsl
\let\tenbf=\chapbf \let\tentt=\chaptt \let\smallcaps=\chapsc
\let\tensf=\chapsf \let\teni=\chapi \let\tensy=\chapsy \let\tenttsl=\chapttsl
\resetmathfonts \setleading{19pt}}
\def\secfonts{%
\let\tenrm=\secrm \let\tenit=\secit \let\tensl=\secsl
\let\tenbf=\secbf \let\tentt=\sectt \let\smallcaps=\secsc
\let\tensf=\secsf \let\teni=\seci \let\tensy=\secsy \let\tenttsl=\secttsl
\resetmathfonts \setleading{16pt}}
\def\subsecfonts{%
\let\tenrm=\ssecrm \let\tenit=\ssecit \let\tensl=\ssecsl
\let\tenbf=\ssecbf \let\tentt=\ssectt \let\smallcaps=\ssecsc
\let\tensf=\ssecsf \let\teni=\sseci \let\tensy=\ssecsy \let\tenttsl=\ssecttsl
\resetmathfonts \setleading{15pt}}
\let\subsubsecfonts = \subsecfonts % Maybe make sssec fonts scaled magstephalf?
\def\indexfonts{%
\let\tenrm=\indrm \let\tenit=\indit \let\tensl=\indsl
\let\tenbf=\indbf \let\tentt=\indtt \let\smallcaps=\indsc
\let\tensf=\indsf \let\teni=\indi \let\tensy=\indsy \let\tenttsl=\indttsl
\resetmathfonts \setleading{12pt}}
% Set up the default fonts, so we can use them for creating boxes.
%
\textfonts
% Count depth in font-changes, for error checks
\newcount\fontdepth \fontdepth=0
% Fonts for short table of contents.
\setfont\shortcontrm\rmshape{12}{1000}
\setfont\shortcontbf\bxshape{12}{1000}
\setfont\shortcontsl\slshape{12}{1000}
%% Add scribe-like font environments, plus @l for inline lisp (usually sans
%% serif) and @ii for TeX italic
% \smartitalic{ARG} outputs arg in italics, followed by an italic correction
% unless the following character is such as not to need one.
\def\smartitalicx{\ifx\next,\else\ifx\next-\else\ifx\next.\else\/\fi\fi\fi}
\def\smartitalic#1{{\sl #1}\futurelet\next\smartitalicx}
\let\i=\smartitalic
\let\var=\smartitalic
\let\dfn=\smartitalic
\let\emph=\smartitalic
\let\cite=\smartitalic
\def\b#1{{\bf #1}}
\let\strong=\b
% We can't just use \exhyphenpenalty, because that only has effect at
% the end of a paragraph. Restore normal hyphenation at the end of the
% group within which \nohyphenation is presumably called.
%
\def\nohyphenation{\hyphenchar\font = -1 \aftergroup\restorehyphenation}
\def\restorehyphenation{\hyphenchar\font = `- }
\def\t#1{%
{\tt \rawbackslash \frenchspacing #1}%
\null
}
\let\ttfont=\t
\def\samp #1{`\tclose{#1}'\null}
\setfont\smallrm\rmshape{8}{1000}
\font\smallsy=cmsy9
\def\key#1{{\smallrm\textfont2=\smallsy \leavevmode\hbox{%
\raise0.4pt\hbox{$\langle$}\kern-.08em\vtop{%
\vbox{\hrule\kern-0.4pt
\hbox{\raise0.4pt\hbox{\vphantom{$\langle$}}#1}}%
\kern-0.4pt\hrule}%
\kern-.06em\raise0.4pt\hbox{$\rangle$}}}}
% The old definition, with no lozenge:
%\def\key #1{{\ttsl \nohyphenation \uppercase{#1}}\null}
\def\ctrl #1{{\tt \rawbackslash \hat}#1}
\let\file=\samp
% @code is a modification of @t,
% which makes spaces the same size as normal in the surrounding text.
\def\tclose#1{%
{%
% Change normal interword space to be same as for the current font.
\spaceskip = \fontdimen2\font
%
% Switch to typewriter.
\tt
%
% But `\ ' produces the large typewriter interword space.
\def\ {{\spaceskip = 0pt{} }}%
%
% Turn off hyphenation.
\nohyphenation
%
\rawbackslash
\frenchspacing
#1%
}%
\null
}
% We *must* turn on hyphenation at `-' and `_' in \code.
% Otherwise, it is too hard to avoid overfull hboxes
% in the Emacs manual, the Library manual, etc.
% Unfortunately, TeX uses one parameter (\hyphenchar) to control
% both hyphenation at - and hyphenation within words.
% We must therefore turn them both off (\tclose does that)
% and arrange explicitly to hyphenate at a dash.
% -- rms.
{
\catcode`\-=\active
\catcode`\_=\active
\catcode`\|=\active
\global\def\code{\begingroup \catcode`\-=\active \let-\codedash \catcode`\_=\active \let_\codeunder \codex}
% The following is used by \doprintindex to insure that long function names
% wrap around. It is necessary for - and _ to be active before the index is
% read from the file, as \entry parses the arguments long before \code is
% ever called. -- mycroft
% _ is always active; and it shouldn't be \let = to an _ that is a
% subscript character anyway. Then, @cindex @samp{_} (for example)
% fails. --karl
\global\def\indexbreaks{%
\catcode`\-=\active \let-\realdash
}
}
\def\realdash{-}
\def\codedash{-\discretionary{}{}{}}
\def\codeunder{\ifusingtt{\normalunderscore\discretionary{}{}{}}{\_}}
\def\codex #1{\tclose{#1}\endgroup}
%\let\exp=\tclose %Was temporary
% @kbd is like @code, except that if the argument is just one @key command,
% then @kbd has no effect.
% @kbdinputstyle -- arg is `distinct' (@kbd uses slanted tty font always),
% `example' (@kbd uses ttsl only inside of @example and friends),
% or `code' (@kbd uses normal tty font always).
\def\kbdinputstyle{\parsearg\kbdinputstylexxx}
\def\kbdinputstylexxx#1{%
\def\arg{#1}%
\ifx\arg\worddistinct
\gdef\kbdexamplefont{\ttsl}\gdef\kbdfont{\ttsl}%
\else\ifx\arg\wordexample
\gdef\kbdexamplefont{\ttsl}\gdef\kbdfont{\tt}%
\else\ifx\arg\wordcode
\gdef\kbdexamplefont{\tt}\gdef\kbdfont{\tt}%
\fi\fi\fi
}
\def\worddistinct{distinct}
\def\wordexample{example}
\def\wordcode{code}
% Default is kbdinputdistinct. (Too much of a hassle to call the macro,
% the catcodes are wrong for parsearg to work.)
\gdef\kbdexamplefont{\ttsl}\gdef\kbdfont{\ttsl}
\def\xkey{\key}
\def\kbdfoo#1#2#3\par{\def\one{#1}\def\three{#3}\def\threex{??}%
\ifx\one\xkey\ifx\threex\three \key{#2}%
\else{\tclose{\kbdfont\look}}\fi
\else{\tclose{\kbdfont\look}}\fi}
% @url. Quotes do not seem necessary, so use \code.
\let\url=\code
% @uref (abbreviation for `urlref') takes an optional second argument
% specifying the text to display. First (mandatory) arg is the url.
% Perhaps eventually put in a hypertex \special here.
%
\def\uref#1{\urefxxx #1,,\finish}
\def\urefxxx#1,#2,#3\finish{%
\setbox0 = \hbox{\ignorespaces #2}%
\ifdim\wd0 > 0pt
\unhbox0\ (\code{#1})%
\else
\code{#1}%
\fi
}
% rms does not like the angle brackets --karl, 17may97.
% So now @email is just like @uref.
%\def\email#1{$\langle${\tt #1}$\rangle$}
\let\email=\uref
% Check if we are currently using a typewriter font. Since all the
% Computer Modern typewriter fonts have zero interword stretch (and
% shrink), and it is reasonable to expect all typewriter fonts to have
% this property, we can check that font parameter.
%
\def\ifmonospace{\ifdim\fontdimen3\font=0pt }
% Typeset a dimension, e.g., `in' or `pt'. The only reason for the
% argument is to make the input look right: @dmn{pt} instead of
% @dmn{}pt.
%
\def\dmn#1{\thinspace #1}
\def\kbd#1{\def\look{#1}\expandafter\kbdfoo\look??\par}
% @l was never documented to mean ``switch to the Lisp font'',
% and it is not used as such in any manual I can find. We need it for
% Polish suppressed-l. --karl, 22sep96.
%\def\l#1{{\li #1}\null}
\def\r#1{{\rm #1}} % roman font
% Use of \lowercase was suggested.
\def\sc#1{{\smallcaps#1}} % smallcaps font
\def\ii#1{{\it #1}} % italic font
% @pounds{} is a sterling sign.
\def\pounds{{\it\$}}
\message{page headings,}
\newskip\titlepagetopglue \titlepagetopglue = 1.5in
\newskip\titlepagebottomglue \titlepagebottomglue = 2pc
% First the title page. Must do @settitle before @titlepage.
\newif\ifseenauthor
\newif\iffinishedtitlepage
\def\shorttitlepage{\parsearg\shorttitlepagezzz}
\def\shorttitlepagezzz #1{\begingroup\hbox{}\vskip 1.5in \chaprm \centerline{#1}%
\endgroup\page\hbox{}\page}
\def\titlepage{\begingroup \parindent=0pt \textfonts
\let\subtitlerm=\tenrm
% I deinstalled the following change because \cmr12 is undefined.
% This change was not in the ChangeLog anyway. --rms.
% \let\subtitlerm=\cmr12
\def\subtitlefont{\subtitlerm \normalbaselineskip = 13pt \normalbaselines}%
%
\def\authorfont{\authorrm \normalbaselineskip = 16pt \normalbaselines}%
%
% Leave some space at the very top of the page.
\vglue\titlepagetopglue
%
% Now you can print the title using @title.
\def\title{\parsearg\titlezzz}%
\def\titlezzz##1{\leftline{\titlefonts\rm ##1}
% print a rule at the page bottom also.
\finishedtitlepagefalse
\vskip4pt \hrule height 4pt width \hsize \vskip4pt}%
% No rule at page bottom unless we print one at the top with @title.
\finishedtitlepagetrue
%
% Now you can put text using @subtitle.
\def\subtitle{\parsearg\subtitlezzz}%
\def\subtitlezzz##1{{\subtitlefont \rightline{##1}}}%
%
% @author should come last, but may come many times.
\def\author{\parsearg\authorzzz}%
\def\authorzzz##1{\ifseenauthor\else\vskip 0pt plus 1filll\seenauthortrue\fi
{\authorfont \leftline{##1}}}%
%
% Most title ``pages'' are actually two pages long, with space
% at the top of the second. We don't want the ragged left on the second.
\let\oldpage = \page
\def\page{%
\iffinishedtitlepage\else
\finishtitlepage
\fi
\oldpage
\let\page = \oldpage
\hbox{}}%
% \def\page{\oldpage \hbox{}}
}
\def\Etitlepage{%
\iffinishedtitlepage\else
\finishtitlepage
\fi
% It is important to do the page break before ending the group,
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